\u00a0<\/p>\n
Contemporary Literature Press,
\nunder\u00a0The University of Bucharest, in conjunction with\u00a0The British Council, and\u00a0The Romanian Cultural Institute,<\/p>\n
Announces the publication of\u00a0<\/p>\n
The AfterMode. Present Day English Fiction, by\u00a0Lidia Vianu.\u00a0
\n(ISBN 978-606-8366-13-5)<\/p>\n
Literature began with a Story and a sigh.
\nWhen it turned into a game, Criticism was born.
\nWhen it was ready for the Word to replace the Story, James Joyce was born.<\/p>\n
Today is the\u00a0AfterMode. And what happens today, in the AfterMode, is what writers have managed to hold on to after the Joyce Flood.\u00a0<\/p>\n
Lidia Vianu’s book addresses young and old students of present day literature. It examines the survival of the story in English fiction today. The game with the narrative proper and with its traditional tools are many and diverse.\u00a0<\/p>\n
The novelists this book focuses on are the following: Peter Ackroyd, Martin Amis, Julian Barnes, Malcolm Bradbury, A.S. Byatt, Angela Carter, Tracy Chevalier, Jonathan Coe, Helen Fielding, Laura Hird, Kazuo Ishiguro, Hanif Kureishi, Doris Lessing, David Lodge, Ian McEwan, Timothy Mo, Salman Rushdie, Graham Swift, Rose Tremain, and Jeanette Winterson.\u00a0<\/p>\n
They are all indebted to the master-player: his\u00a0Finnegans Wake\u00a0has already been scrutinized by Contemporary Literature Press in three Lexicons so far – Romanian, German and Scandinavian.\u00a0<\/p>\n
The AfterMode\u00a0has one aim alone: to analyse the story with simple tools. It avoids the ready-made coinages of 2012 critical jargon. It is written in „demotic” English. The point it is trying to make is that, while Joyce and Eliot and Ezra Pound could afford games with the Word, the literary critic needs to respect his reader’s language and understanding.\u00a0<\/p>\n
The volume\u00a0The AfterMode.\u00a0Present Day English Fiction,\u00a0by\u00a0Lidia Vianu\u00a0will be officially launched on 1 February 2012, but it is available for consultation and downloading on receipt of this Press Release, at the following internet address:<\/p>\n
http:\/\/editura.mttlc.ro\/Lidia.Vianu-The-AfterMode.html<\/p>\n
You are kindly invited to visit the\u00a0Contemporary Literature Press\u00a0Website at\u00a0http:\/\/editura.mttlc.ro\/. For comments or suggestions, please contact the Publisher at\u00a0lidiavianu@yahoo.com.
\n\u00a0<\/p>\n
Contemporary Literature Press<\/p>\n
Translation Caf\u00e9
\neZine of Modern Texts in Translation<\/p>\n
Contact Us<\/p>\n
\u00a0Visit our Facebook page<\/p>\n
Comunicat de Pres\u0103
\nBucure\u0219ti, 1 februarie 2012\u00a0<\/p>\n
Edi\u021bie online<\/p>\n
Contemporary Literature Press,
\nsub auspiciile\u00a0Universit\u0103\u021bii din Bucure\u0219ti, \u00een colaborare cu\u00a0British Council\u00a0\u0219i\u00a0Institutul Cultural Rom\u00e2n\u00a0<\/p>\n
Anun\u021b\u0103 publicarea volumului<\/p>\n
The AfterMode.
\nPresent Day English Fiction,
\nde\u00a0Lidia Vianu.\u00a0
\n(ISBN 978-606-8366-13-5)<\/p>\n
Literatura a \u00eenceput cu o Poveste \u0219i un oftat.
\nAtunci c\u00e2nd ea a devenit joc, s-a n\u0103scut critica literar\u0103.
\nC\u00e2nd Vorba a luat locul Pove\u0219tii, s-a n\u0103scut Joyce.<\/p>\n
Acest\u00a0AfterMode\u00a0al scrisului din ziua de azi este colacul de care au izbutit scriitorii s\u0103 se aga\u021be dup\u0103 Potopul numit Joyce.<\/p>\n
Cartea Lidiei Vianu se adreseaz\u0103 tuturor celor ce vor s\u0103 \u00een\u021beleag\u0103 literatura contemporan\u0103. Autoarea urm\u0103re\u0219te soarta Pove\u0219tii \u00een romanul englez de azi. Jocul cu nara\u021biunea, cu uneltele ei tradi\u021bionale, are at\u00e2tea chipuri c\u00e2\u021bi scriitori exist\u0103. Volumul de fa\u021b\u0103 alege pentru analiz\u0103 urm\u0103torii romancieri \u00een ordine alfabetic\u0103: Peter Ackroyd, Martin Amis, Julian Barnes, Malcolm Bradbury, A.S. Byatt, Angela Carter, Tracy Chevalier, Jonathan Coe, Helen Fielding, Laura Hird, Kazuo Ishiguro, Hanif Kureishi, Doris Lessing, David Lodge, Ian McEwan, Timothy Mo, Salman Rushdie, Graham Swift, Rose Tremain \u0219i Jeanette Winterson.\u00a0<\/p>\n
Ace\u0219tia sunt cu to\u021bii ucenicii-vr\u0103jitori ai lui James Joyce. Contemporary Literature Press s-a ocupat pe larg de\u00a0Finnegans Wake\u00a0\u00een trei Lexicoane – german, rom\u00e2n \u0219i scandinav (seria continu\u0103).\u00a0<\/p>\n
The AfterMode\u00a0urm\u0103re\u0219te un singur lucru, de fapt: s\u0103 analizeze povestirea cu unelte u\u0219or de m\u00e2nuit. Autoarea ocole\u0219te cu bun\u0103 \u0219tiin\u021b\u0103 limbajul critic al anului 2012. Joyce, Eliot \u0219i Ezra Pound erau \u00eendrept\u0103\u021bi\u021bi s\u0103 cultive jocul cu vorbe, a\u0219a cum sunt \u00eendrept\u0103\u021bi\u021bi s\u0103 jongleze cu povestirea scriitorii de azi. Materia prim\u0103 a scriitorului sunt Povestea \u0219i Cuv\u00e2ntul. Regula dup\u0103 care merge volumul de fa\u021b\u0103 este aceea c\u0103 un critic literar, pe de alt\u0103 parte, are o obliga\u021bie fa\u021b\u0103 de limbaj. Obiectul muncii lui este \u00een final s\u0103 explice celor care \u00eel citesc Jocul Autorului.\u00a0<\/p>\n
Volumul\u00a0The AfterMode.\u00a0Present Day English Fiction,\u00a0de\u00a0Lidia Vianuse lanseaz\u0103 oficial la data de 1 februarie 2012, dar el poate fi consultat \u0219i desc\u0103rcat din acest moment la adresa de internet:\u00a0<\/p>\n
http:\/\/editura.mttlc.ro\/Lidia.Vianu-The-AfterMode.html<\/p>\n
Editura pentru Literatur\u0103 Contemporan\u0103\u00a0v\u0103 invit\u0103 s\u0103 accesa\u021bi website-ul\u00a0www.editura.mttlc.ro. Editura public\u0103 lucr\u0103ri at\u00e2t \u00een limba englez\u0103 c\u00e2t \u0219i \u00een limba rom\u00e2n\u0103. Pentru sugestii sau comentarii, v\u0103 rug\u0103m s\u0103 v\u0103 adresa\u021bi Editurii,\u00a0lidiavianu@yahoo.com.
\n\u00a0<\/p>\n
Contemporary Literature Press<\/p>\n
Translation Caf\u00e9
\nRevista Masteratului pentru Traducerea Textului Literar Contemporan.<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00a0 Contemporary Literature Press, under\u00a0The University of Bucharest, in conjunction with\u00a0The British Council, and\u00a0The Romanian Cultural Institute, Announces the publication of\u00a0 The AfterMode. Present Day English Fiction, by\u00a0Lidia Vianu.\u00a0 (ISBN 978-606-8366-13-5) Literature began with a Story and a sigh. When it turned into a game, Criticism was born. When it was ready for the Word […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4,22],"tags":[43,358,357],"class_list":["post-1548","post","type-post","status-publish","format-standard","hentry","category-anunturi-culturale","category-recomandari","tag-aparitie","tag-lidia-vianu","tag-mttlc"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1548"}],"version-history":[{"count":1,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1548\/revisions"}],"predecessor-version":[{"id":1549,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1548\/revisions\/1549"}],"wp:attachment":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}