{"id":1600,"date":"2012-06-02T01:00:07","date_gmt":"2012-06-01T23:00:07","guid":{"rendered":"http:\/\/blog.egophobia.ro\/?p=1600"},"modified":"2012-06-02T12:57:14","modified_gmt":"2012-06-02T10:57:14","slug":"tiff-ziua-1","status":"publish","type":"post","link":"https:\/\/blog.egophobia.ro\/?p=1600","title":{"rendered":"Tiff \u2013 Ziua 1"},"content":{"rendered":"<p align=\"justify\">\n<em>Reac\u0163ii adverse<\/em> (r. David Mich\u00e1n, 2011, Mexic) <img decoding=\"async\" src=\"http:\/\/i158.photobucket.com\/albums\/t103\/egophobia\/tiff-2012\/Reacciones_adversas-364145862-large.jpg\" width=150 align=left>  este un fel de <em>Jurnal al unui nebun modern<\/em>. \u00centr-o intrig\u0103 ce aminte\u015fte uneori de Franz Kafka sau de David Lynch, Daniel (Hector Kotsifakis) porne\u015fte \u00eentr-o c\u0103l\u0103torie ini\u0163iatic\u0103 \u00een care magia \u015fi psihologia sunt mixate cu paranormalul. Filmul este de fapt un <em>one man show<\/em>, de\u015fi anima, pentru cucerirea c\u0103reia se fac sacrificii imense, nu lipse\u015fte. O dilem\u0103 posibil\u0103 a filmului: apar\u0163ine nebunia regiunii psihologice sau parapsihologice a fiin\u0163ei? Citatul din William Blake, oarecum determinist dar deosebit de elocvent, amintit \u00een film \u00eentr-un moment negru, spune totul: \u201eSome are born for sweet delight, some are born for endless night.\u201d Scena autoscopiei \u015fi cea a \u015fedin\u0163ei corporatiste cu oameni de carton mi se par extrem de reu\u015fite. Conversa\u0163iile cu c\u00e2inele-asasin (supraeu sau subcon\u015ftient?) mi-au amintit de Mr. Rabbit din Donnie Darko. <\/p>\n<p align=\"justify\">\n<img decoding=\"async\" src=\"http:\/\/i158.photobucket.com\/albums\/t103\/egophobia\/tiff-2012\/noomi-rapace-on-new-babycall-poster-2.jpg\" width=150 align=right><br \/>\n<em>Babycall<\/em> (r. P\u00e5l Sletaune, 2011, Norvegia, Germania, Suedia) este o produc\u0163ie parc\u0103 f\u0103cut\u0103 la comand\u0103 pentru psihanaliz\u0103. Complexul lui Oedip pare \u201eeroul\u201d filmului, care se focalizeaz\u0103 pe rela\u0163ia dintre mam\u0103 \u015fi fiu, privit\u0103 din ambele unghiuri. Anna (Noomi Rapace, star-ul din <em>Fata cu tatuajul \u00een form\u0103 de dragon<\/em>) \u00eencearc\u0103 s\u0103-\u015fi refac\u0103 via\u0163a dup\u0103 desp\u0103r\u0163irea de un so\u0163 abuziv, care a atentat la via\u0163a fiului lor iar Helge (Kristoffer Joner) se confrunt\u0103 cu spectrul desp\u0103r\u0163irii de mama sa muribund\u0103. Tema dublului este prezent\u0103, de asemenea limita dintre realitate \u015fi imagina\u0163ie este lichid\u0103. Ideea filmului poate fi rezumat\u0103 astfel: dac\u0103 mama este primul nostru ad\u0103post, copilul este cea mai de pre\u0163 <em>posesie<\/em> a mamei. <\/p>\n<p align=\"justify\">\n<img decoding=\"async\" src=\"http:\/\/i158.photobucket.com\/albums\/t103\/egophobia\/tiff-2012\/1846.jpg\" width=150 align=left><br \/>\nDeschiderea oficial\u0103 din Pia\u0163a Unirii a fost sabotat\u0103 de ploaie, apoi de frig (12\u00b0). Trebuie s\u0103 remarc \u00eenainte de toate, solicitudinea voluntarilor, care au fost de nepre\u0163uit. \u00cenaintea filmului serii au fost prezentate dou\u0103 scurt-metraje: <em>Superman, Spiderman &amp; Batman<\/em> (r. Tudor Giurgiu, 2011) descrie cu autenticitate rela\u0163ia tat\u0103-fiu dar mesajul traumatic al filmului e oarecum previzibil \u015fi moralist. <em>Le voyage dans la lune<\/em> (r. Georges M\u00e9li\u00e8s, 1902 !), unul din primele sf-uri din istorie, e genial \u015fi l-a\u015f compara cu poezia simbolist\u0103, care \u00eenc\u0103 era la mod\u0103 \u00een vremea aceea. Luna reprezint\u0103 contrapartea noastr\u0103, \u0163elul nostru ascuns dar poate \u015fi purgatoriul, din care trebuie s\u0103 ie\u015fim teferi. Efecte speciale extraordinare de acum 110 ani!<\/p>\n<p align=\"justify\">\n<img decoding=\"async\" src=\"http:\/\/i158.photobucket.com\/albums\/t103\/egophobia\/tiff-2012\/31.jpg\" width=150 align=right><br \/>\n<em>Despre oameni \u015fi melci<\/em> (r. Tudor Giurgiu, 2012) este o comedie amar\u0103, cu iz sociologic, constituind o radiografie a anilor \u201990, c\u00e2nd comunismul rezona \u00eenc\u0103 \u00een spirit, dac\u0103 nu \u015fi \u00een liter\u0103. Exist\u0103 trei planuri principale, cel focalizat pe Monica B\u00e2rl\u0103deanu fiind cel mai slab. Dorel Vi\u015fan este \u00eens\u0103 <em>ne\u00eenlocuibil<\/em>, simul\u00e2nd la perfec\u0163ie atitudinea acelor oameni, care au confiscat \u015fi v\u00e2ndut Rom\u00e2nia, acum dou\u0103 decenii. Andi Vasluianu se dovede\u015fte un june prim credibil, carismatic \u2013 la un nivel mai subtil, pasti\u015f\u00e2ndu-l pe Brando (On the Waterfront). Mesajul clar: sperma unui muncitor rom\u00e2n nu valoreaz\u0103 nimic. \u00cen plus, \u00eemi amintesc de s\u0103r\u0103cia violent\u0103 a acelor ani, c\u00e2nd 50 $ semnificau, pare-se, etalonul succesului. <\/p>\n<p><strong>&#350;tefan Bolea<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reac\u0163ii adverse (r. David Mich\u00e1n, 2011, Mexic) este un fel de Jurnal al unui nebun modern. \u00centr-o intrig\u0103 ce aminte\u015fte uneori de Franz Kafka sau de David Lynch, Daniel (Hector Kotsifakis) porne\u015fte \u00eentr-o c\u0103l\u0103torie ini\u0163iatic\u0103 \u00een care magia \u015fi psihologia sunt mixate cu paranormalul. Filmul este de fapt un one man show, de\u015fi anima, pentru [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[586],"tags":[585,583,124,584,258,582],"class_list":["post-1600","post","type-post","status-publish","format-standard","hentry","category-tiff-2012-2","tag-critica-de-film","tag-festival-ziua-1","tag-film","tag-filosofia-filmului","tag-stefan-bolea","tag-tiff-2012"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1600"}],"version-history":[{"count":21,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1600\/revisions"}],"predecessor-version":[{"id":1616,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1600\/revisions\/1616"}],"wp:attachment":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}