{"id":1673,"date":"2012-06-06T01:26:53","date_gmt":"2012-06-05T23:26:53","guid":{"rendered":"http:\/\/blog.egophobia.ro\/?p=1673"},"modified":"2012-06-06T02:18:39","modified_gmt":"2012-06-06T00:18:39","slug":"tiff-ziua-5","status":"publish","type":"post","link":"https:\/\/blog.egophobia.ro\/?p=1673","title":{"rendered":"Tiff &#8211; Ziua 5"},"content":{"rendered":"<p align=\"justify\">\n<em>Mla\u015ftina<\/em> (r. Guy \u00c9doin, 2011, Canada). <img decoding=\"async\" src=\"http:\/\/i158.photobucket.com\/albums\/t103\/egophobia\/marecages.jpg\" width=\"150\" align=\"left\"> Un alt film ratat din competi\u0163ie. Mla\u015ftina, debutul regizorul canadian \u00c9doin, este total neconving\u0103tor. Morala productiei: dac\u0103 ne-a lovit criza, ne cheam\u0103 p\u0103m\u00e2ntul. Am primit lec\u0163ii nedorite despre mo\u015firea unei vi\u0163ici \u015fi despre ingineria modern\u0103 a for\u0103rii unei f\u00e2nt\u00e2ni. Dup\u0103 accidentul figurii paterne, ac\u0163iunea putea s\u0103 se intensifice cu 200%. \u00cen schimb, ca \u00een <em>Kuma<\/em>, revine tema substitu\u0163iei. \u015ei cea a complexului lui Oedip, pe care-l rezum\u0103 \u00eentr-o form\u0103 clasic\u0103 Jim Morrison: \u201efather I\u2019d like to kill you, mother I want to fuck you.\u201d Iar banal\u0103 \u015fi lipsit\u0103 de sens tema homosexualit\u0103\u0163ii infantile, care putea fi filtrat\u0103 poetic \u015fi care \u00een produc\u0163ia canadian\u0103 nu ajut\u0103 cu nimic desf\u0103\u015fur\u0103rii ac\u0163iunii. OK, ce s\u0103 spun? \u015ei pe mine m-a afectat criza \u015fi nu am venit din \u201emunca\u201d la EgoPHobia \u015fi din cele 4 c\u0103r\u0163i pe care le-am produs. Dar asta \u00eemi d\u0103 o oarecare doz\u0103 de libertate pentru c\u0103 nu trebuie s\u0103 mulg un st\u0103p\u00e2n. Personajele nu simt nici o eliberare, c\u00e2nd mla\u015ftina le suge venitul, dimpotriv\u0103 se comport\u0103 haotic, determinist \u015fi psihanalizabil. Reac\u0163ia lor este oarecum normal\u0103 \u2013 \u015fi m-am s\u0103turat de cei care sunt blestema\u0163i de mediocritate. Mama este deprimat\u0103 \u015fi puberul deprimant. Str\u0103inul misterios n-are, \u00een schimb, un aer melancolic dar \u015fi traseul s\u0103u e previzibil: unii are face \u015fi mai mult pentru a avea acces la \u00eempreunare. El mizeaz\u0103 pe cartea alcoolului (the way to the pussy leads through alcohol) \u015fi a eficien\u0163ei masculine, dublat\u0103 de performan\u0163a economic\u0103. De ce vedem un film pe o tem\u0103 at\u00e2t de banal\u0103? Morala secundar\u0103: orice ai face, mla\u015ftina te va \u00eenghi\u0163i de viu. Numai c\u0103 personajele noastre nu prea fac nimic.<\/p>\n<p align=\"justify\">\n<img decoding=\"async\" src=\"http:\/\/i158.photobucket.com\/albums\/t103\/egophobia\/a-clockwork-orange-poster.jpg\" width=\"150\" align=\"right\"><br \/>\n<em>Portocala mecanic\u0103<\/em> (r. Stanley Kubrick, 1971). Filmul total. La fel ca <em>Fight Club<\/em>, filmul este structurat \u00een dou\u0103 p\u0103r\u0163i: prima este dedicat\u0103 violen\u0163ei, a doua \u2013 recuper\u0103rii. Alex (interpretat genial de Malcolm McDowell), \u015feful unei bande de huligani, ce are ca specialitate b\u0103taia \u015fi violul (jaful fiind secundar), este un meloman autentic, ce iube\u015fte \u00een special Simfonia a Noua beethovenian\u0103. De la muzic\u0103 (un hobby neobi\u015fnuit pentru un infractor) porne\u015fte \u015fi conflictul cu banda sa, care p\u00e2n\u0103 la urm\u0103 \u00eel tr\u0103deaz\u0103, Alex ajung\u00e2nd la \u00eenchisoare pentru crim\u0103. Apologia nihilist\u0103 a violen\u0163ei din prima parte e dublat\u0103 de o enorm\u0103 ironie, pe care o percepem dac\u0103 aplec\u0103m urechea la coloana sonor\u0103. Parodia lui Alex la interpretarea lui Gene Kelly a piesei <em>Singing in the Rain<\/em> poate fi cea mai bun\u0103 scena a filmului: o combina\u0163ie dintre balet, \u00eenzestrare fizic\u0103, violen\u0163\u0103, grotesc, abilitatea \u015fi m\u00e2ndria de a fi un monstru \u015fi superbie de animal de prad\u0103. A doua parte e \u00een esen\u0163\u0103 un manifest anti-psihiatric \u015fi o satir\u0103 a societ\u0103\u0163ii contemporane, esen\u0163ializat\u0103 \u00een simbolul Saturnaliilor: fo\u015fti infractori ajung poli\u0163i\u015fti; homele\u015fii b\u0103tr\u00e2ni sunt capabili s\u0103 lin\u015feze un t\u00e2n\u0103r; victimele mai primesc o palm\u0103 peste fa\u0163\u0103 \u00een timp ce criminalii sunt integra\u0163i \u00een sistem \u015fi primesc laurii. Mai mult, familia lui Alex probabil \u00ee\u015fi bea ceaiul cu cea a lui Gregor Samsa. Totu\u015fi s\u0103 nu ignor\u0103m mesajul sinistru ascuns sub masca grotescului: ce preferi, dou\u0103 s\u0103pt\u0103m\u00e2ni de iad pur sau doisprezece ani de purgatoriu? Alex alege iadul dintr-o clipit\u0103!<\/p>\n<p>Cite\u015fte <a href=\"\"> <strong><a href=\"http:\/\/www.egophobia.ro\/1\/critica.htm\" target=\"_blank\"> aici <\/a> <\/strong> ce scriam despre Portocala mecanic\u0103 \u00een 2004. <\/p>\n<p><strong>Stefan Bolea<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mla\u015ftina (r. Guy \u00c9doin, 2011, Canada). Un alt film ratat din competi\u0163ie. Mla\u015ftina, debutul regizorul canadian \u00c9doin, este total neconving\u0103tor. Morala productiei: dac\u0103 ne-a lovit criza, ne cheam\u0103 p\u0103m\u00e2ntul. Am primit lec\u0163ii nedorite despre mo\u015firea unei vi\u0163ici \u015fi despre ingineria modern\u0103 a for\u0103rii unei f\u00e2nt\u00e2ni. Dup\u0103 accidentul figurii paterne, ac\u0163iunea putea s\u0103 se intensifice cu [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[586,1],"tags":[597,585,598,599,582],"class_list":["post-1673","post","type-post","status-publish","format-standard","hentry","category-tiff-2012-2","category-uncategorized","tag-competitie-tiff","tag-critica-de-film","tag-kubrick","tag-malcolm-mcdowell","tag-tiff-2012"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1673"}],"version-history":[{"count":15,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1673\/revisions"}],"predecessor-version":[{"id":1687,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1673\/revisions\/1687"}],"wp:attachment":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}