{"id":1882,"date":"2013-03-13T22:57:26","date_gmt":"2013-03-13T20:57:26","guid":{"rendered":"http:\/\/blog.egophobia.ro\/?p=1882"},"modified":"2013-03-13T22:57:26","modified_gmt":"2013-03-13T20:57:26","slug":"avangarda-revizitata-sesiunea-a-v-a-abel-gance-jaccuse-1938","status":"publish","type":"post","link":"https:\/\/blog.egophobia.ro\/?p=1882","title":{"rendered":"Avangarda revizitat\u0103. Sesiunea a V-a: Abel Gance (J\u2019ACCUSE!, 1938)"},"content":{"rendered":"

\nAvangarda European\u0103 (1919-1939) \u00een Arhiva Na\u021bional\u0103 de Filme a Rom\u00e2niei*
\nSesiunea a V-a: 75 de ani de la premiera filmului \u201eJ\u2019Accuse!\u201d (Abel Gance, 1938)
\nMiercuri, 27 martie \u0219i S\u00e2mb\u0103t\u0103, 30 martie, de la ora 19.30 la Cinemateca Eforie (Str. Eforie, Nr. 2), Bucure\u0219ti
\n
\nMiercuri, 27 martie \u0219i S\u00e2mb\u0103t\u0103, 30 martie, de la 19.30 seara, Sala Eforie (Jean Georgescu) a Cinematecii Rom\u00e2ne (Str. Eforie Nr. 2, Bucure\u0219ti), continu\u0103 difuzarea filmelor avangardei europene aflate \u00een Arhiva Na\u021bional\u0103 de Filme a Rom\u00e2niei cu o controversat\u0103 pelicul\u0103 semnat\u0103, din nou, de regizorul Abel Gance. Ce-a de-a cincea sesiune din cadrul proiectului Avangarda revizitat\u0103\u2026, la care v\u0103 invit\u0103m, este dedicat\u0103 \u00eemplinirii a 75 de ani de la premiera filmului J\u2019ACCUSE! \/ ACUZ! (Abel Gance, 1938).<\/p>\n

Concept \u0219i viziune curatorial\u0103: Igor Mocanu
\nOrganizatori: Arhiva Na\u021bional\u0103 de Filme a Rom\u00e2niei \u2013 Cinemateca Eforie<\/p>\n

Cele dou\u0103 versiuni ale peliculei J\u2019Accuse! semnate de Abel Gance, lungmetrajul din 1919, \u00een care autorul exprim\u0103 o critic\u0103 dur\u0103 la adresa ororilor Primului R\u0103zboi Mondial, \u0219i cea din 1938, remake-ul sonor al primului, recontextualizat, de data aceasta, \u00een contra celui de-al Doilea R\u0103zboi Mondial, trec \u00een filmografia regizorului francez drept cele mai controversate produc\u021bii at\u00e2t prin mesajul pacifist implicit, c\u00e2t \u0219i prin voca\u021bia inevitabil deconspirativ\u0103 a discursului ideatic. Nu despre militantism ideologic e vorba \u00een cele dou\u0103 filme, o ideologie altminteri inconsecvent\u0103, cum pe bun\u0103 dreptate \u00eencerca s\u0103 sugereze, \u00eentre al\u021bii, Charles Silver, curatorul departamentului de film de la MoMA, Abel Gance fiind at\u00e2t cel care f\u0103cuse apologia lui Napoleon, cu accente vag protofasciste, dar \u0219i cel care, prin cele dou\u0103 versiuni ale imperativului zolist, readucea \u00een aten\u021bia public\u0103, \u00een 1919 \u0219i 1938, re\u00eenscena chiar, la un nivel alegoric, evident, afacerea Dreyfus, condamn\u00e2nd astfel, \u00eenc\u0103 o dat\u0103, jurispruden\u021ba antisemit\u0103, observa\u021bie reamintit\u0103 e cur\u00e2nd de criticul Peter Hourigan de la revista \u201eSenses of Cinema\u201d.<\/p>\n

Sesiunea a V-a. Program: 27 \u0219i 30 martie, ora 19.30<\/p>\n

ACUZ! \/ J\u2019ACCUSE!
\nFran\u021ba, 1938, a\/n, sonor, Fic\u021biune, 70m
\nR. Abel Gance
\nS. Abel Gance, Steve Passeur
\nProduc\u0103tor: Abel Gance
\nImagine: Roger Hubert
\nMontaj: Madeleine Cr\u00e9tolle
\nDecor: Henri Mah\u00e9
\nCu: Victor Francen, Line Noro, Marie Lou, Jean-Max, Paul Amiot, Jean-Louis Barrault, Marcel Dela\u00eetre, Ren\u00e9 Devillers, Romuald Joub\u00e9, Andr\u00e9 Nox, Georges Rollin, Georges Saillard\n<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Avangarda European\u0103 (1919-1939) \u00een Arhiva Na\u021bional\u0103 de Filme a Rom\u00e2niei* Sesiunea a V-a: 75 de ani de la premiera filmului \u201eJ\u2019Accuse!\u201d (Abel Gance, 1938) Miercuri, 27 martie \u0219i S\u00e2mb\u0103t\u0103, 30 martie, de la ora 19.30 la Cinemateca Eforie (Str. Eforie, Nr. 2), Bucure\u0219ti<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1882","post","type-post","status-publish","format-standard","hentry","category-anunturi-culturale"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1882"}],"version-history":[{"count":1,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1882\/revisions"}],"predecessor-version":[{"id":1883,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1882\/revisions\/1883"}],"wp:attachment":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}