{"id":2184,"date":"2014-01-21T13:25:01","date_gmt":"2014-01-21T11:25:01","guid":{"rendered":"http:\/\/blog.egophobia.ro\/?p=2184"},"modified":"2014-01-21T13:25:01","modified_gmt":"2014-01-21T11:25:01","slug":"joyce-lexicography-volume-78-theoretical-backup-four","status":"publish","type":"post","link":"https:\/\/blog.egophobia.ro\/?p=2184","title":{"rendered":"Joyce Lexicography Volume 78. Theoretical Backup Four."},"content":{"rendered":"

\nContemporary Literature Press,
\nunder The University of Bucharest<\/b>, in conjunction with The British Council<\/b>, The Romanian Cultural Institute<\/b>, and The Embassy of the Republic of Ireland<\/b>,<\/p>\n

Announces the publication of<\/p>\n

<\/center>

Joyce Lexicography Volume 78.
\nTheoretical Backup Four.<\/center>
\nHow to Read Finnegans Wake<\/i>?
\nWhy to Read Finnegans Wake<\/i>?
\nWhat to Read in Finnegans Wake<\/i>?<\/p>\n

Texts put together by Tatsuo Hamada<\/b>.<\/p>\n

ISBN: 978-606-8592-14-5<\/p>\n

Edited by C. George Sandulescu & Lidia Vianu<\/b><\/p>\n

<\/center>

The Story in Finnegans Wake<\/center><\/p>\n

Place of origin: Japan. Profession: retired scientist and professor. Why Finnegans Wake<\/i>? This book we are publishing in our Joyce Lexicography Series<\/b> will tell you the story of Tatsuo Hamada, if a story it is. Maybe you will also find out while reading it whether there is a story in Finnegans Wake<\/i> too, whether Joyce’s last book is or is not a novel, considering that, as Hamada quotes, „What you cannot tell the story of is not a novel.” (C. George Sandulescu, The Language of the Devil<\/i>).<\/p>\n

Tatsuo Hamada’s book asks three very didactic questions: How<\/b> to Read Finnegans Wake?<\/i> Why<\/b> to Read Finnegans Wake? What to Read<\/i> in<\/b>Finnegans Wake?<\/i> He interviews the top Joycean scholars. Those whom he cannot interview, he quotes. Nothing written about FW seems to have escaped him: he has done his homework with Japanese precision, to the least detail. His aim is not to parade his knowledge. All he wants to do is understand<\/b> and help his readers do the same.<\/p>\n

Maybe his English betrays his unEnglishness. Joyce, however, would have welcomed this Japanese researcher, since there are Japanese words in FW which someone had to find at some point. Maybe Tatsuo Hamada is the one.<\/p>\n

The opinions recorded in this book have a common denominator. Hamada is trying to demonstrate that the composite woman+sex is the key to FW. He starts with Joyce’s daughter Lucia, and ends with ALP-Joyce’s wife, who, he tells us, closes the book with her monologue. In an introductory poem written by himself, he even gives an explanation in a contemporary key: Marilyn Monroe.<\/p>\n

This Japanese synthesis of FW research to date opens a gate that most certainly leads somewhere. It is for the reader to go in and find his way now.<\/p>\n

18 January 2014<\/p>\n

C. George Sandulescu & Lidia Vianu<\/b><\/p>\n

How to Read Finnegans Wake<\/i>? Why to Read Finnegans Wake<\/i>? What to Read in Finnegans Wake<\/i>? by Tatsuo Hamada<\/b> edited by C. George Sandulescu & Lidia Vianu<\/b> is formally launched on Friday 24 January 2014. The volume is available for consultation and downloading on receipt of this Press Release, at the following internet address:<\/p>\n

http:\/\/editura.mttlc.ro\/FW-lexicography-hamada.html<\/a><\/center>
\nYou are kindly invited to visit the Contemporary Literature Press<\/i> website at http:\/\/editura.mttlc.ro\/<\/a>. For comments or suggestions, please contact the publisher lidia.vianu@g.unibuc.ro<\/a> .<\/p>\n\n\n\n\n\n
If you want to have all the information you need about Finnegans Wake<\/b><\/i>, including the full text of Finnegans Wake<\/i>, line-numbered, go to the personal site Sandulescu Online<\/b>, at the following internet address:
\nhttp:\/\/sandulescu.perso.monaco.mc\/<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n		Contemporary Literature Press<\/a><\/p>\n

Translation Caf\u00e9<\/a>
\neZine of Modern Texts in Translation<\/p>\n

Contact us<\/a><\/p>\n

\"\"<\/a> Visit our Facebook page<\/a><\/td>\n<\/tr>\n<\/tbody>\n

\n\n\n\n
Comunicat de Pres\u0103<\/td>\nBucure\u0219ti, vineri 24 ianuarie 2014<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Edi\u021bie online<\/center>Contemporary Literature Press,
\nsub auspiciile urm\u0103toarelor foruri: Universitatea din Bucure\u0219ti<\/b>, The British Council,<\/b> Institutul Cultural Rom\u00e2n <\/b>\u0219i Ambasada Republicii Irlanda<\/b>,<\/p>\n

Anun\u021b\u0103 publicarea volumului<\/p>\n

<\/center>

Joyce Lexicography Volume 78.
\nTheoretical Backup Four.<\/center>
\nHow to Read Finnegans Wake<\/i>?
\nWhy to Read Finnegans Wake<\/i>?
\nWhat to Read in Finnegans Wake<\/i>?<\/p>\n

Texts put together by Tatsuo Hamada<\/b>.<\/p>\n

ISBN: 978-606-8592-14-5<\/p>\n

Editat de C. George Sandulescu & Lidia Vianu<\/b><\/p>\n

<\/center>

Despre ce este vorba \u00een Finnegans Wake?<\/center><\/p>\n

Locul na\u0219terii: Japonia. Profesia: om de \u0219tiin\u021b\u0103 \u0219i profesor; pesnionar. De ce Finnegans Wake<\/i>? Public\u0103m acum \u00een seria Joyce Lexicography<\/b> o carte care dezv\u0103luie \u00eentr-un fel indirect povestea lui Tatsuo Hamada, autorul ei. Citind-o, e posibil s\u0103 afla\u021bi dac\u0103 are \u0219i Finnegans Wake<\/i> o poveste a lui, dac\u0103 aceast\u0103 ultim\u0103 carte a lui James Joyce este ori nu este roman. Este de remarcat c\u0103 Hamada d\u0103 la acest punct, printre al\u021bii, cuv\u00e2ntul lui C. George Sandulescu, cit\u00e2nd din Language of the Devil<\/i>: „Ceea ce nu poate fi povestit nu este roman.”<\/p>\n

Cartea de fa\u021b\u0103 pune trei \u00eentreb\u0103ri simple, didactice: Cum<\/b> s\u0103 citim FW?<\/i> De ce<\/b> s\u0103 citim FW?<\/i> Ce s\u0103 citim <\/i>\u00een<\/b> FW?<\/i> Ele sunt adresate cercet\u0103torilor Joyce cu reputa\u021bie interna\u021bional\u0103. Aceia care, pentru un motiv sau altul, nu au putut fi intervieva\u021bi, sunt prezen\u021bi cu citate din c\u0103r\u021bile lor. Nu pare s\u0103 fi sc\u0103pat nimic: Hamada \u0219i-a f\u0103cut temele cu precizie japonez\u0103, p\u00e2n\u0103 la cel mai mic am\u0103nunt. Scopul volumului nu este, \u00eens\u0103, s\u0103 etaleze lecturile impresionante ale autorului \u00een domeniu. Tatsuo Hamda urm\u0103re\u0219te s\u0103 \u00een\u021beleag\u0103<\/b> \u0219i, implicit, s\u0103 ne ajute s\u0103 \u00een\u021belegem.<\/p>\n

Ideile cuprinse \u00een interviurile \u0219i citatele din cartea lui Hamada au un numitor comun, \u0219i anume ideea ce-l obsedeaz\u0103 pe autor c\u0103 \u00eembinarea dintre imaginea feminin\u0103 \u0219i sex este o cheie pentru FW. Introducerea se ocup\u0103 de fiica lui Joyce, Lucia. \u00cen \u00eencheiere g\u0103sim p\u0103rerile personale ale lui Hamada \u00een ce prive\u0219te prezen\u021ba \u00een text a so\u021biei lui Joyce-ALP, care, afirm\u0103 el, \u00eenchide cartea cu un monolog. Mai mult dec\u00e2t at\u00e2ta, Hamada prelunge\u0219te explica\u021bia c\u0103tre contemporani, prefa\u021b\u00e2nd cartea cu un poem scris de el \u00eensu\u0219i despre Marilyn Monroe.<\/p>\n

Aceast\u0103 sintez\u0103 japonez\u0103 a cercet\u0103rii FW la zi deschide un drum care cu certitudine are un sens. Suntem \u00eencredin\u021ba\u021bi c\u0103 cititorii lui Tatsuo Hamada \u00eel vor descoperi.<\/p>\n

18 ianuarie 2014<\/p>\n

C. George Sandulescu & Lidia Vianu<\/b><\/p>\n

How to Read Finnegans Wake<\/i>? Why to Read Finnegans Wake<\/i>? What to Read in Finnegans Wake<\/i>? de Tatsuo Hamada,<\/b> editat de C. George Sandulescu & Lidia Vianu<\/b> se lanseaz\u0103 oficial la data de vineri 24 ianuarie 2014, dar el poate fi consultat \u0219i desc\u0103rcat din acest moment la adresa de internet:<\/p>\n

http:\/\/editura.mttlc.ro\/FW-lexicography-hamada.html<\/a><\/center>
\nEditura pentru Literatur\u0103 Contemporan\u0103<\/i> v\u0103 invit\u0103 s\u0103 accesa\u021bi website-ul www.editura.mttlc.ro<\/a>. Editura public\u0103 lucr\u0103ri at\u00e2t \u00een limba englez\u0103 c\u00e2t \u0219i \u00een limba rom\u00e2n\u0103. Pentru sugestii sau comentarii, v\u0103 rug\u0103m s\u0103 v\u0103 adresa\u021bi Editurii, lidia.vianu@g.unibuc.ro<\/a>.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Contemporary Literature Press, under The University of Bucharest, in conjunction with The British Council, The Romanian Cultural Institute, and The Embassy of the Republic of Ireland, Announces the publication of Joyce Lexicography Volume 78. Theoretical Backup Four. How to Read Finnegans Wake? Why to Read Finnegans Wake? What to Read in Finnegans Wake? Texts put […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[357],"class_list":["post-2184","post","type-post","status-publish","format-standard","hentry","category-anunturi-culturale","tag-mttlc"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2184"}],"version-history":[{"count":1,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2184\/revisions"}],"predecessor-version":[{"id":2185,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2184\/revisions\/2185"}],"wp:attachment":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}