{"id":2191,"date":"2014-01-26T16:24:00","date_gmt":"2014-01-26T14:24:00","guid":{"rendered":"http:\/\/blog.egophobia.ro\/?p=2191"},"modified":"2014-01-26T16:24:00","modified_gmt":"2014-01-26T14:24:00","slug":"ada-solomon-corneliu-porumboiu-si-razvan-radulescu-printre-profesionistii-de-la-berlinale-talents","status":"publish","type":"post","link":"https:\/\/blog.egophobia.ro\/?p=2191","title":{"rendered":"Ada Solomon, Corneliu Porumboiu \u0219i R\u0103zvan R\u0103dulescu printre profesioni\u0219tii de la Berlinale Talents"},"content":{"rendered":"<blockquote>\n<p align=justify>\n<\/b>Sec\u021biunea Berlinale Talents a Festivalului Interna\u021bional de Film de la Berlin 2014 a invitat o serie de exper\u021bi din industria cinematografic\u0103 s\u0103 \u00eemp\u0103rt\u0103\u0219easc\u0103 experien\u021bele lor cu cele mai promi\u021b\u0103toare 300 de tinere talente din domeniul filmului din \u00eentreaga lume. Printre ace\u0219tia se num\u0103r\u0103 \u0219i Ada Solomon, Corneliu Porumboiu \u0219i R\u0103zvan R\u0103dulescu.<!--more--><\/p>\n<p>Peste 120 de exper\u021bi interna\u021bionali se vor focusa pe importan\u021ba firului narativ \u00eentr-un film de succes, \u00een perioada 8 \u2013 13 februarie 2014 la teatrul Hebbel am Ufer din Berlin. Programul de anul acesta tematizeaz\u0103, pe l\u00e2ng\u0103 fine\u021burile unui scenariu de succes, \u0219i tehnica cre\u0103rii unor caractere puternice \u0219i dezvoltarea unor lumi de poveste prin introducerea unor formate narative inovatoare. Renumitul scenarist de film rom\u00e2n, R\u0103zvan R\u0103dulescu, \u00a0autor, printre altele, al scenariului premiat cu Ursul de Aur 2013 \u201ePozi\u021bia copilului\u201d, va pune accentul pe dezvoltarea personajelor \u00een scenariul de film, pe l\u00e2ng\u0103 colegii s\u0103i Tony Grisoni (<i>Fear and Loathing in Las Vegas<\/i>) \u0219i Claudia Llosa (<i>The Milk of Sorrow<\/i>, <i>Aloft<\/i>).<\/p>\n<p>Creatorii de film vor dezbate \u00een jurul formatului hibrid al filmului \u0219i vor analiza cum se \u00eencalc\u0103\u00a0 regulile \u0219i grani\u021bele formale dintre genuri. Trei importan\u021bi regizori, care \u00ee\u0219i prezint\u0103 \u0219i cele mai recente filme \u00een cadrul festivalului vor vorbi despre benficiile utiliz\u0103rii unor strategii documentare \u0219i narative inovatoare. Este vorba despre Corneliu Porumboiu (<i>Al doilea joc<\/i>), Warwick Thornton (<i>The Darkside<\/i>) \u0219i Sophie Hyde (<i>52 Tuesdays<\/i>).<\/p>\n<p>Re\u021beta g\u0103sirii pove\u0219tii potrivite, dezvoltarea unui proiect \u0219i comercializarea acestuia, acestea sunt trei puncte importante \u00een discursul produc\u0103torilor Ada Solomon (<i>Pozi\u021bia copilului<\/i>) \u0219i Bertha Navarro (<i>Pan\u2019s Labyrinth<\/i>).<\/p>\n<p>Tinerele talente selectate din Rom\u00e2nia s\u0103 participe la cea de-a 12-a edi\u021bie a Berlinale Talents sunt editorul Alexandru Petru, produc\u0103toarea Gabriela Suciu, regizoarea Adina Istrate \u0219i actri\u021ba Elena Andreea Vasile, ultimele dou\u0103 particip\u00e2nd la Berlinale Talents cu sus\u021binerea ICR Berlin.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><i>Programul complet al ICR Berlin \u00eel g\u0103si\u0163i pe <\/i><i>www.rki-berlin.de <\/i><i>\u015fi pe <\/i><i>Facebook <\/i><i>.<\/i><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Sec\u021biunea Berlinale Talents a Festivalului Interna\u021bional de Film de la Berlin 2014 a invitat o serie de exper\u021bi din industria cinematografic\u0103 s\u0103 \u00eemp\u0103rt\u0103\u0219easc\u0103 experien\u021bele lor cu cele mai promi\u021b\u0103toare 300 de tinere talente din domeniul filmului din \u00eentreaga lume. Printre ace\u0219tia se num\u0103r\u0103 \u0219i Ada Solomon, Corneliu Porumboiu \u0219i R\u0103zvan R\u0103dulescu.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4],"tags":[],"class_list":["post-2191","post","type-post","status-publish","format-standard","hentry","category-anunturi-culturale"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2191"}],"version-history":[{"count":1,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2191\/revisions"}],"predecessor-version":[{"id":2192,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/2191\/revisions\/2192"}],"wp:attachment":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}