{"id":983,"date":"2009-12-31T14:39:26","date_gmt":"2009-12-31T12:39:26","guid":{"rendered":"http:\/\/blog.egophobia.ro\/?p=983"},"modified":"2010-01-01T12:58:52","modified_gmt":"2010-01-01T10:58:52","slug":"europe%e2%80%99s-times-and-unknown-waters-3","status":"publish","type":"post","link":"https:\/\/blog.egophobia.ro\/?p=983","title":{"rendered":"Europe\u2019s Times and Unknown Waters #3"},"content":{"rendered":"<p>a aparut <a href=\"http:\/\/www.waterytimes.com\/\">Europe\u2019s Times and Unknown Waters<\/a> #3, in care la rubrica &#8222;scriitori clujeni&#8221; puteti citi un generos grupaj dedicat redactorului-sef al EgoPHobia &#350;tefan Bolea, cuprinzand un interviu cu el, mini-interviuri cu cativa membri ai redactiei noastre si analize ale scrierilor sale.  comunicatul redactiei ET&#038;UW:<!--more--><\/p>\n<blockquote><p>Salutari!<\/p>\n<p>Cu scuzele de rigoare pentru intirzierea exagerata, va anuntam ca a aparut numarul 3 al revistei\u00a0 Europe&#8217;s Times and Unknown Waters.\u00a0 www.waterytimes.com\u00a0<\/p>\n<p>Intirzierea este insa compensata de aparitia unui mega-numar care acopera, prin multitudinea, varietatea si ineditul\u00a0 articolelor, intreaga perioada toamna-iarna a anului 2009.<\/p>\n<p>Cei doi invitati sunt poetul Stefan Bolea si solistul vocal Aaron Stainthorpe de la My dying Bride. Puteti citi interviuricu ei\u00a0 si analize complexe\u00a0 si cit se poate de \u201d en-detail\u201d ale operelor acestora.<\/p>\n<p>La o privire rapida mai puteti citi articole foarte [i]spicy[\/i] despre Generatia Beat (critica literara), fenomenul artei brute (arta bruta) si o reinterpretare o povestii lui Ion si a Anei (din romanul lui Liviu Rebreanu &#8211; rubrica de sociologie). Dar si foarte, foarte multe alte articole si articolase interesante<\/p>\n<p>Va urez Un An Nou Fericit si va atasez mai jos cuprinsul noului numar:<\/p>\n<p>Arta Bruta:<\/p>\n<p>1.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Despre simplitate \u015fi instinct \u00een art\u0103 &#8211; de \u015etefan Mocanu<\/p>\n<p>The End of Christ I (The Propaganda) &#8211; de \u015etefan Mocanu<\/p>\n<p>The End of Christ II (The Genocide) &#8211; de \u015etefan Mocanu<\/p>\n<p>The End of Christ III (The Trial) &#8211; de \u015etefan Mocanu<\/p>\n<p>Nightmare (The Scream II) &#8211; de \u015etefan Mocanu<\/p>\n<p>The Time of the Assassins II &#8211; de \u015etefan Mocanu<\/p>\n<p>2.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 St\u0103ri de veghe\u00a0 \u00eentunecate de\u00a0 St\u00e2ncel Theodora Eva<\/p>\n<p>\u00a0<\/p>\n<p>Critic\u0103 Literar\u0103:<\/p>\n<p>1.\u00a0\u00a0 Boemul artist: o schi\u0163\u00e3 al profilului estetic \u00een Boemia Genera\u0163iei Beat\u00a0\u00a0 de Ioana Iacob<\/p>\n<p>2.\u00a0 Adev\u0103r \u015fi pluralitate \u00een Lumi fic\u0163ionale de Toma Pavel de\u00a0 Bruckner Leon Eduard<\/p>\n<p>3. READING THROUGH \u2026THE SEA OF STORIES (SALMAN RUSHDIE) de Marcela Iuga<\/p>\n<p>4.\u00a0\u00a0 Nancy Friday \u015fi despre cum \u015fi femeile se g\u00e2ndesc la sex de Petre Fluera\u015fu<\/p>\n<p>5.\u00a0\u00a0 Belle de Jour despre o nou\u0103 ordine sentimental\u0103 de Petre Fluera\u015fu<\/p>\n<p>6.\u00a0\u00a0 Sade, sau despre cum Justine refuz\u0103 s\u0103 \u00een\u0163eleag\u0103 de Petre Fluera\u015fu<\/p>\n<p>7.\u00a0\u00a0 Stephenie Meyer \u015fi fenomenul Amurg de Petre Fluera\u015fu<\/p>\n<p>8.\u00a0\u00a0 Romanul poli\u0163ist&#8230; desuet? de Marieta G\u0103urean<\/p>\n<p>Metal:<\/p>\n<p>Invitatul special al prezentei rubrici de metal este\u00a0 Aaron Stainthorpe, solistul vocal al trupei\u00a0 My Dying Bride. Grupajul de materiale 1-9 \u00eei este dedicat. La nr. 5 pute\u0163i citi \u015fi interviul pe care l-am realizat cu Aaron. De asemenea, \u00een cadrul grupajului de articole pute\u0163i citi material despre\u00a0 Tsatthoggua, Six Feet Under,\u00a0\u00a0 Marduk, Lake of\u00a0 Tears, Satanochio \u015fi\u00a0 Metallica.<\/p>\n<p>\u00a0<\/p>\n<p>Invitatat Special\/ Special Guest\u00a0 (Aaron Stainthorpe)<\/p>\n<p>\u00a0<\/p>\n<p>1.\u00a0\u00a0\u00a0 Searing Myself. The Effects of an Encounter with My Dying Bride &#8211; by Bruckner Leon Eduard\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0[ENG]<\/p>\n<p>2.\u00a0\u00a0 The water symbolism in My Dying Bride music &#8211; by Theodora \u2013Eva Stancel\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [ENG]<\/p>\n<p>3.\u00a0\u00a0 Who is The Dark Lady of\u00a0 Aaron\u2019s Sonnets?\u00a0\u00a0\u00a0 by Ormeny Francisc\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [ENG]<\/p>\n<p>4.\u00a0\u00a0 My Dying Bride &#8211; Deeper Down\u00a0\u00a0 de Ormeny Francisc-Norbert\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [ROM]<\/p>\n<p>5.\u00a0\u00a0 Interview with Aaron Stainthorpe by Ormeny Francisc Norbert &#038;\u00a0 Theodora-Eva St\u00e2ncel\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [ENG]<\/p>\n<p>6. THE FALL FOR HER\u00a0 was &#8211;\u00a0 THE FALL OF A CENTURY\u00a0 by Ormeny Francisc Norbert\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [Translated from Romanian by Theodora-Eva Stancel]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [ENG]<\/p>\n<p>7. THE FALL FOR HER\u00a0 was &#8211;\u00a0 THE FALL OF A CENTURY de Ormeny Francisc Norbert\u00a0\u00a0\u00a0<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [ROM]<\/p>\n<p>8. My Body a Funeral- The Divine Inter-section of the Sinister in the Sinister\u00a0 by Ormeny Francisc Norbert [Translated from Romanian by Theodora-Eva Stancel]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [ENG]<\/p>\n<p>9. My Body a Funeral \u2013 Divina Inter-sec\u0163ie cu Sinistrul \u00een Sinistru de\u00a0 Ormeny Francisc\u00a0 [ROM]<\/p>\n<p>\u00a0<\/p>\n<p>Articole\/Articles:<\/p>\n<p>a) Tsatthoggua &#8211; Dionysos Ecstasy (album Hosanna Bizarre) de Ormeny Francisc-Norbert\u00a0<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [ROM]<\/p>\n<p>b) Six Feet Under\u00a0 &#8211; No Warning Shot de Ormeny Francisc-Norbert\u00a0 [ROM]<\/p>\n<p>c) Marduk\u00a0 &#8211; Wormwood\u00a0 by Ormeny Francisc-Norbert\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [ENG]<\/p>\n<p>e) Lake of\u00a0 Tears &#8211; One comes with autumn&#8217;s rain and sing the song of morning (I know now where they do go) de Ormeny Francisc Norbert\u00a0\u00a0\u00a0 [ROM]<\/p>\n<p>f)\u00a0 Lake of Tears\u00a0 &#8211;\u00a0 Nathalie and the Fireflies de Ormeny Francisc Norbert\u00a0\u00a0 [ROM]<\/p>\n<p>g) Satanochio \u2013 Hoax by Ormeny Francisc Norbert\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [ENG]<\/p>\n<p>h) Suicide and redemption (Death Magnetic &#8211; Metallica ) de Red Raven\u00a0\u00a0\u00a0\u00a0\u00a0 [ROM]<\/p>\n<p>Scriitori Clujeni:<\/p>\n<p>Invitatul rubricii dedicate scriitorilor clujeni este poetul \u015fi filosoful \u015etefan Bolea. Materialele de mai jos analizeaz\u0103 cele dou\u0103 volume de poezii ale sale (R\u0103zboi Civil \u015fi Noaptea Instinctelor) \u00eencerc\u00e2nd, r\u00e2nd pe r\u00e2nd, s\u0103 asimileze de-o manier\u0103 personalizat\u0103\u00a0 imagistica cu totul neobi\u015fnuit\u0103 propus\u0103 de t\u00e2n\u0103rul poet.<\/p>\n<p>La num\u0103rul 2 pute\u0163i citi un interviu cu \u015etefan Bolea, iar la numerele 10-14 pute\u0163i citi interviuri despre poezia sa.<\/p>\n<p>\u00a0<\/p>\n<p>1.\u00a0\u00a0 Neoavangardism sau Postmodernism Extrem \u00een poezia lui \u015etefan Bolea\u00a0 de Marcela Iuga<\/p>\n<p>2.\u00a0\u00a0 Interviu cu \u015etefan Bolea (Prezentare General\u0103, Poezie, Filosofie) de Ormeny Francisc\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p>3.\u00a0\u00a0 \u0218tefan Bolea- R\u0103zboi civil (i.e. mud wrestling)\u00a0 de Drago\u0219 Fabian<\/p>\n<p>4.\u00a0\u00a0 R\u0103zboi civil \u2013 r\u0103zboi personal de Narcisa Bra\u015foveanu<\/p>\n<p>5.\u00a0\u00a0 \u2018MY BODY IS MY ART\u2019\u00a0 by\u00a0 Theodora \u2013Eva St\u00e2ncel<\/p>\n<p>6.\u00a0\u00a0 Zwischen Unterbau und \u00dcberbau \u2013 \u00centre Infrastructur\u0103 \u015fi Suprastructur\u0103 (Pierdut \u00een plin\u0103 limit\u0103 a imposibilului) de\u00a0 Ormeny Francisc<\/p>\n<p>7.\u00a0\u00a0\u00a0 \u00centuneric, abis \u015fi foc \u00een poezia lui \u015etefan Bolea \u015fi gothic metal de Morgothya<\/p>\n<p>8.\u00a0\u00a0\u00a0 Tank heute von Ormeny Francisc-Norbert\u00a0<\/p>\n<p>9.\u00a0\u00a0\u00a0 Mini-interviu cu Patrick C\u0103linescu \u2013 colaborator permanent Egophobia [romanul online &#038; rubricile &#8222;eidotomii&#8221; &#038; &#8222;egOPHob&#8221;] de\u00a0 Ormeny Francisc<\/p>\n<p>10.\u00a0\u00a0\u00a0 Mini-interviu cu Morgothya\u00a0 &#8211; colaborator permanent Egophobia\u00a0 (www.morgothya.ro ) de Ormeny Francisc<\/p>\n<p>11.\u00a0 Mini-interviu cu Diana Todea &#8211; Redactor Egophobia [&#038; rubrica &#8222;lumile reale, lumile virtuale&#8221;] de\u00a0 Ormeny Francisc<\/p>\n<p>12.\u00a0 Mini-interviu cu Ion Buzu &#8211; t\u00e2n\u0103r poet contemporan de\u00a0 Ormeny Francisc<\/p>\n<p>13.\u00a0 Mini-interviu cu Sorin-Mihai Grad \u2013 editor &#038; webmaster Egophobia [&#038; rubrica &#8222;egoZaur&#8221;] de\u00a0 Ormeny Francisc<\/p>\n<p>14.\u00a0 Mini-interviu cu IQ666 colaborator permanent Egophobia [rubrica &#8222;minDisec\u0163ii&#8221;] de Ormeny Francisc<\/p>\n<p>Deutsch:<\/p>\n<p>Der junge Faust. Ein Studentenspiel von Bruckner Leon Eduard<\/p>\n<p>Editorial:<\/p>\n<p>1. Drag\u0103 don Quijote (partea a-2-a) &#8211; Marcela Iuga<\/p>\n<p>2. Solu\u0163ii inedite pentru viitorul fotbalului rom\u00e2nesc &#8211; de Ormeny Francisc-Norbert<\/p>\n<p>Filosofie:<\/p>\n<p>1.\u00a0\u00a0 Manifest \u00eempotriva ateismului de Ormeny Francisc<\/p>\n<p>2.\u00a0\u00a0 Universul lingvistico-filosofic al lui Wittgenstein de Theodora-Eva St\u00e2ncel<\/p>\n<p>3.\u00a0\u00a0 Ghid de supravie\u0163uire pe planta\u0163ie Partea 1 de Drago\u015f Fabian<\/p>\n<p>4.\u00a0\u00a0 Osho, sau despre cum s\u0103-\u0163i descoperi martorul interior de Petre Fluera\u015fu<\/p>\n<p>5.\u00a0\u00a0 Badiou-Deleuze. O \u00eent\u00e2lnire fericit\u0103\u00a0 Partea 1 de Dragos Fabian<\/p>\n<p>6.\u00a0 Creating Reality by means of Examples\u00a0\u00a0 A\u00a0 philosophical inquiry on Alessandro Ferrara\u2019s \u201cForce of Example\u201d (Explorations in the Paradigm of Judgment) by Ormeny Francisc Norbert<\/p>\n<p>Imagini si Fotografii:<\/p>\n<p>Aici puteti viziona doua serii tematice de fotografii semnate Elena Munteanu si Stancel Theodora Eva<\/p>\n<p>Irish studies:<\/p>\n<p>1.\u00a0 Postmodernism in Keith Ridgway\u2019s novel\u2026 The Parts. Narrative techniques of the Irish postmodern novel &#8211; by Marcela Iuga<\/p>\n<p>2.\u00a0\u00a0 Changeability and Polymorphism in O\u2019Connor\u2019s Exile and Joyce\u2019s A Portrait of the Artist as a Young Man &#8211; By Narcisa Bra\u015foveanu<\/p>\n<p>Poezie:<\/p>\n<p>1.\u00a0\u00a0 Pere\u0163i mai pu\u0163in monotoni &#8211; de Marina Popescu<\/p>\n<p>2.\u00a0\u00a0 Versuri absurde cu pisici &#8211; de Marina Popescu<\/p>\n<p>3.\u00a0\u00a0 Pietre-filosof &#8211; de Marina Popescu<\/p>\n<p>Proza:<\/p>\n<p>1.\u00a0\u00a0 Jurnalul Theodorei\u00a0 (prima pagin\u0103) de Ormeny Francisc Norbert<\/p>\n<p>2.\u00a0\u00a0 Mega-r\u0103spunsul lui Patrick C\u0103linescu la Jurnalul Theodorei (critic\u0103 \u015fi proz\u0103 devant la lettre Deocamdat\u0103, le\u015ful dansant)<\/p>\n<p>3.\u00a0 Unleash the Beast by Ormeny Francisc Norbert<\/p>\n<p>4.\u00a0 \u00cenainte \u015fi dup\u0103 sinucidere (tableau suicidaire) de Patrick C\u0103linescu<\/p>\n<p>5.\u00a0 Sex la Birou de Ormeny Francisc Norbert<\/p>\n<p>6.\u00a0 S\u00e2nge satanic (fragment) de Morgothya<\/p>\n<p>7.\u00a0 Ce-\u0163i r\u0103m\u00e2ne\u00a0 de Dan Pandici<\/p>\n<p>8.\u00a0 Copilul Vis\u0103tor cu M\u00e2inile de Aur de Marina Popescu<\/p>\n<p>9.\u00a0 Ochi, zare \u015fi lacrimi de Alina Grad<\/p>\n<p>Sociologie :<\/p>\n<p>1.\u00a0\u00a0 Despre un tren care nu duce nic\u0103ieri ( \u00cen lumea lui Wong Kar Wai) de Simona Ardelean<\/p>\n<p>2.\u00a0\u00a0 Allan Pease, Barbara Pease sau despre b\u0103rba\u0163i \u015fi femei de Petre Fluera\u015fu<\/p>\n<p>3.\u00a0\u00a0 Liviu Rebreanu \u2013 Adev\u0103rul din Spatele pove\u015ftii lui Ion \u015fi a Anei (din perspectiv\u0103 antifeminist\u0103) de Ormeny Francisc-Norbert\u00a0 [PAMFLET]<\/p>\n<p>4.\u00a0\u00a0 R\u0103scoala Studen\u0163ilor de la Filos(z)ofie de Ormeny Francisc Norbert [PAMFLET]<\/p>\n<p>5.\u00a0\u00a0 Cartea-prieten sau du\u015fman? de Marieta G\u0103urean<\/p>\n<p>Tinere Talente:<\/p>\n<p>1.\u00a0\u00a0 Negru de Oana O\u0163elea<\/p>\n<p>2.\u00a0\u00a0 Camera alb\u0103 de Oana O\u0163elea<\/p>\n<p>Translations:<\/p>\n<p>1.\u00a0\u00a0 The last Rorty by Andrei Marga [translated by: Theodora-Eva Stancel]<\/p>\n<p>2.\u00a0\u00a0\u00a0 The Chaotic Society by Andrei Marga [translated by: Ormeny Francisc Norbert]<\/p>\n<p>3.\u00a0\u00a0\u00a0 The Invisible Society\u00a0 by Andrei Marga\u00a0 [translated by: Ormeny Francisc Norbert]<\/p>\n<p>4.\u00a0\u00a0\u00a0\u00a0 The Society of\u00a0 lie ? by Andrei Marga\u00a0 [translated by: Ormeny Francisc Norbert]<\/p>\n<p>5.\u00a0\u00a0\u00a0\u00a0 The society of risk?\u00a0 by Andrei Marga [translated by: Stancel Theodora-Eva]<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>a aparut Europe\u2019s Times and Unknown Waters #3, in care la rubrica &#8222;scriitori clujeni&#8221; puteti citi un generos grupaj dedicat redactorului-sef al EgoPHobia &#350;tefan Bolea, cuprinzand un interviu cu el, mini-interviuri cu cativa membri ai redactiei noastre si analize ale scrierilor sale. comunicatul redactiei ET&#038;UW:<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,6,22],"tags":[300,258],"class_list":["post-983","post","type-post","status-publish","format-standard","hentry","category-anunturi-culturale","category-e-reviste","category-recomandari","tag-europes-times-and-unknown-waters","tag-stefan-bolea"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=983"}],"version-history":[{"count":4,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/983\/revisions"}],"predecessor-version":[{"id":988,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=\/wp\/v2\/posts\/983\/revisions\/988"}],"wp:attachment":[{"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.egophobia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}